It’s now time to apply the final lacquer coat to the Sakura, which means a final fit test is in order. This procedure allows me to check all the clearances and alignments of the hardware without the danger of damaging the final finish. I also don’t want to compromise the engraved pieces. These parts took nine months to be engraved by hand, and I absolutely want everything to fit.
Everything seems to fit fine with just the right amount of clearance for the last thin coat. I’ve decided to go with a lower gloss vintage style nitro to alow the brilliance of the metalwork to come forward visually. This will be achieved by adding a flattening additive to the nitrocellulose lacquer before spraying.
Every time I unwrap the engraved parts they bowl me over with their fabulous detail. I only wish that these photos could reveal the depth of the work that is visible in person.
The cherry blossom petals are adorned with real rose gold and the leaves are green gold. At the very top of the picture a 24k yellow gold sun rises through the clouds. The entire plate background is finished in brushed nickel.
Now it’s time to get into the paint room and get on with the program.
I like the lower gloss look of vintage guitars but not that dull look that the heavy metal companies like ESP use. Can’t wait to see the finished guitar Jol.
Posted by: John Hall | February 06, 2012 at 05:16 PM